Davide Degano

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Beyond the Land Of Castles - ongoing

Beyond the Land of Castles was first introduced in late October 2019 with an exhibition in Trieste, at the Regional Palace.
Due to COVID-19 the exhibitions set in summer-autumn 2020 have been postponed, as the launch of the dummy and the mini documentary. News soon.

Shortlisted for Athens Photo Festival 2020
Shortlisted for Photo Vogue Festival “All in This Together”
Nominee with Honorable Mention Paul Schuitema Award 2020

ArtDOC Magazine
Messaggero Veneto
Regione Friuli Venezia Giulia
Icon Magazine

Beyond the Land of castles,
I re-discovered an unwanted, forgotten yet Promised land.

I remember how my grandfather, Giuseppe, used to tell me stories about his youth and the mountains of his homeland and how, when caught by the German troops, he managed to escape and walked back home from Germany. I can still feel, through his memory, the strong sense of belonging to the place when he described the happiness to see again those mountains from far.

In this project, I re-discover parts of my cultural heritage, portraying the different facets of the life of mountain villages in between the Italian and Slovenian borders. What I found in these mountain villages, was a community of survivors, a community of emigrants that imposed a self-exile after the World Wars and the earthquake of 1976, in order to chase that “wealth” promised by the upcoming industrialized cities.
These realities have played a really important role in my upbringing, but unfortunately, they have become an emblematic example of “forgotten” villages around Italy, and Europe.

Beyond the Land of Castles is an examination of the importance of “local” through memory, and how modern society neutralizes it in the name of globalization. It is a universal story. It is a story of power, who has it and decides how development should look like, and who do not have it, and never will.
In fact, societies took centuries to form, globalization took two decades to almost destroy them all.
As I explore the themes that most characterize this area, such as emigration and depopulation, I reflect on the importance of the values on which our personal and common memory are based upon in order to shake the assumptions that memories and past bring nostalgia not progress.

This project will also be introducing a more elaborate body of work about the violent alteration of the landscape and the huge cultural void that is threatening to leave. I want to document it, in order to question “progress”, that seems the force that moves the modern world. But sometimes “progress” brings to the regression of certain realities. The risk for these realities to disappear is tangible and concrete as political policies prefer to focus on the development of the cities and their suburbs.